Kay phenomenally put forwards the idea about how monsters are created not born

Kay phenomenally put forwards the idea about how monsters are created not born. She implores the idea of how there is a difference between the man of circumstance versus the man of substance. A man is either a creation of substance or circumstance; circumstances can make or break anyone, no matter how strong willed, exceptionally genius they might be. A hero is forged in the same way a villain is, through the blazing pits of victimization. She made sure that this time around the narrative is deconstructed at a molecular level. Time and space plays a significant role in the creation of both phantasms. According to Nuno Rogue, a Villain is someone who has a past, who is strongly opinionated, fearless, doesn’t get intimated by anything, and went beyond suffering. It’s an empowerment figure . (Rogue)
Villains as a representation of morally corrupt society is a notorious literary device majorly incorporated in the genera of Gothic literature. A symbol used to show the shortcomings of the human race. It illuminates the deep macabre catacombs of hushed voices, travesties, and negligence of that society which walks a hundred miles above them on the road of ignorance. They are the underdogs, the street rats who never stumbled upon a genie lamp or charms to serenade the populous who is the very embodiment of the idea that beauty is skin deep but a firm believer that ugliness is bone deep. A Villain is not a title, one just wakes up and decides to own but is a process of becoming, unlike a stereotypical hero. Erik was not born wicked, he was forced to become for what else he could do to make his already hidden existence heard but to manipulate. One without a face can wear a mask but one without voice is nothing but an expandable inanimate object, an eyesore, a curse and abomination of mighty nature herself. How can the perfect world accept an imperfect man when they hold on the pride that God made man in his own image? How could they accept a deformed God? So they disown, humiliate and force that side of nature into exile to never return to their perfect little world where beauty and perfection is not just their pride but their right to relish. Frantz Fanon in one of his most renowned book, Black Skin, White Masks aptly describes this phenomenon that serves as the very base to the formula in the creation of the “other”. He states
… people hold a core belief that is very strong. When they are
presented with evidence that works against that belief, the new
evidence cannot be accepted. It would create a feeling that is
extremely uncomfortable, called cognitive dissonance. And because it
is so important to protect the core belief, they will rationalize,
ignore and even deny anything that doesn’t fit in with the core belief.


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