Jean factory-made houses could be built by two or

Jean Prouvé was born in 1901. A self-taught engineer, an architect without a

Le Corbusier said of him he is the archetypal builder. He started as a manual worker
in the 20’s, he was an apprentice to a wrought iron craftsman. Fascinated by
innovation he soon founded

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his own workshop in Nancy in
1924. In the following years he created numerous furniture designs making furniture out of sheet metal or special
metallic parts for buildings designed by avant-garde architects. ‘During
his career Jean Prouvé was involved in architectural design, industrial design, structural
design and furniture design’ (Anon., n.d.)


Prouvé working as an apprentice in 1917.


By the end of the Second World
War the workshop had become a factory with his works team proved a design
prototypes for the mass production of prefabricated detached houses. These factory-made
houses could be built by two or three people in a single day and was supposed
to be an answer to the pressing housing crisis the whole country was undergoing
after the Second World War but none of these prototypes resulted in positive
orders the France of stone and concrete found them too modern too simple and
dismissed them with disdain as machines for living in.


In 1952 a manufacturer of
aluminium an innovative material that Prouvé a was using more and more invested
in the factory. Prouvé very soon found himself put out
of the way, in 1953 he sent one of his daughters to photograph the workshops at Maxéville
in the suburbs of Nancy for the
last time. These pictures are all that remained to him of the works he had
created before the new shareholder closed the door on him.


‘Jean Prouvé was at his lowest ebb. In 1952, when he was in
his early 50s, the French designer lost control of his factory, which had once
employed more than 200 people, and was fighting to regain ownership of his
trading name and patents. Hoping to distract him, Prouvé’s family encouraged
him to start a new project: the construction of a house where he would live with
his wife, Madeleine, and the two youngest of their six children.’ (Rawsthorn,

‘In losing Maxéville
I lost everything all I saved from the disaster was my hands, a mind in shock,
no financial means and a big family to care for. To top it all it was during
this time that I had to build my house.’ (Prouvé, 1955)

The Prouvé family owned a small patch of land
which was an old vineyard in which it was supposed to be impossible to build
because of the very steep slope. The house is built on a narrow terrace on the
highest part of the plot, it can only be reached on foot. Prouvé
admitted later that it was a “youthful mistake”. It was built on poor quality
soil sandy and unstable, so the house had to be as light in weight as possible
in both in its building materials and its dimensions.

The narrowness of the sight meant building the house along
the terrace, the house backs onto the slope. The front opens southward to face
the city of Nancy. It is made to suite the minimum needs of a family house at
the time, bedrooms for children and parents, a bathroom, a water closet, a
large living room and what Prouvé called
the technical quarters, the kitchen and utility.

All the windows are
in the front except for a little opening on the west wall to light the single
corridor that serves all the rooms in the house. The buildings plan is
completely linear the bedroom, bathroom, living and kitchen spaces are set one beside the other. The corridor is lined
all the way by cupboards twenty-seven metres of storage, what would be needed
for a large family. The frame work of this house is hidden inside these

                    View down the long corridor.                                                     Storage is built into the frame.

Once the work of
terraforming and making the land ready was completed, the house itself was
built over a few weekends as was only to be expected of a Prouvé house,
but having lost his factory Prouvé had to forget about his original more curved
design. He had to improvise and had to make do with what he had to hand.





Placed directly onto the ground were steel beams at
intervals of two metres to form the framework of the floor. Against the slope
square brackets are bolted onto the steel beams. The beams and sheets make up
the main framework of the building a concrete slab incorporating underfloor
heating was laid over the steel beams. There are stone walls at each end of the
building to give it stability. At the rear of the building are simple wooden
panels fixed to the brackets, which also serve as the partitions for the
cupboards. A brick built toilet block provide the final element of the masonry.

site is levelled by hand.                                         The basic framework is laid.

The whole of the front façade is made up of prefabricated
pieces that Prouvé had designed for other projects, and that he managed to
recover from stock at his old factory. ‘I built the house with left overs
things like these front panels that were originally designed for emergency
accommodation to shelter refugees from war zones during the second world war’ (Prouvé, 1955)

The panels fitted with sash windows and including metal shutters
are a meter wide a meter was the basic module for all of Prouvé’s buildings. He
was entirely against the thirty centimetre module called for by building
regulations at the time. ‘One metre is more practical and easier to calculate’ (Prouvé, 1955)

Nine panels, nine metres bolted side by side through an iron
rim formed the façade of the bedrooms. Subdivided inside by wooden partitions.
The economy of space is extremely important the children had the right to two
panels which gives them a bedroom that is two metres wide by three metres long.
According to Prouvé this was enough space for a bed, a table, a chair and book
shelves and a school child should need no more. The bedroom doors have rounded
corners like on ships door this was because the doors were cut so precisely so
that Prouvé could make the doors and their frames from the same pieces of
timber this also made the building cheaper because of the economy in work and

                  Prouvé’s child’s bedroom.                                                One of the doors in the house.

‘Everything I ever made was with the intention of being
immediately constructive. I never visualised or imagined what the form would
be, I had no style, I never designed shapes, I constructed things that had a
shape.’ (Prouvé, 1955)

Of all the shapes Prouvé created intentionally or not the
panel with portholes covered in aluminium is no doubt the most famous Prouvé
used it in his designs for a tropical house and for a piece in the Paris observatory,
but in Maison Prouvé these panels were used on Prouvé’s toilet block and were
used for the double front doors. They are designed on the same one metre

                Paris observatory                                                                     Tropical House

Jean Prouvé with his
Iconic panels.



The living room in Prouvé’s house is a large space in which the
whole family can invite family and visitors. This open space is made feel even bigger
by the large glass wall which makes the space almost feel as if it were part of
the outdoors. The glass panels are each one meter and sixty centimetres each breaking
Prouvé’s one metre module rule. This glass wall is on the same scale as the industrial
buildings for which the panels were originally designed


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