It a few common qualities – insecurity and fear

It is clear th?t in these modern times, film and TV industry h?s experienced a huge tr?nsformation.
The glob?l medi? l?ndsc?pe was completely resh?ped, since the r?pid increase of c?ble and
s?tellite television and online networks, empowered by progressively developed digit?l
technologies ?nd the rising ?ccess of inexpensive communic?tion s?tellites. Moreover, digit?l
glob?lization has ?ssured that medi? content is delivered inst?ntly and bro?dly avail?ble in a
homogeneous form?t – in the form of sound, text, motionless and moving pictures and d?tabases.
The glob?lization of the economy h?s h?d a major imp?ct on all cultures. ?ccording to UNCT?D
(2008), global film m?rket, is estimated to be worth $60 billion ?nnually and is dominated by
?merican film products. The importance to understand th?t industry h?s changed during the years
may seem obvious, though it’s not easy to ?dapt and create a new potenti?l strategy, which will
take a young filmm?ker into the field. That is to say, nowadays many young and talented
filmmakers, who have a great desire to enter and prosper in the film industry, often forget about
common hurdles waiting for them. They often share a few common qualities – insecurity and fear
of rejection. Unfortunately, it’s not an option for those who wish to work in the industry. Abilities,
which will lead to progression, l?y at the opposite side – learning, underst?nding and knowing
how. So, it is essenti?l to perceive the nature of ch?nge in the film and TV industry, as it might
help to determine which str?tegies could succeed. The convergence of digitalization and
glob?lization signifies that some ?lterations in strategies must be reassessed, keeping in mind that
we are the very early phases of this phenomenon, increased opportunities ?re yet at st?ke. The
new era of glob?lization also creates challenges. By making In this essay I will discuss both sides
of the arguments. Filmmakers can enter markets, 

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